The mural consists of 94 two-dimensional pieces; each piece is made on ceramic tile. The materials used where: oil-based, acrylic and vinyl paint; water inks, etching oil and lacquers. Furthermore, microparticles, gypsum, resins and binder were applied to add relief volume. 

 

“Uncertainty” was the central element in the creation, I proceed without regards to knowing where I was heading, but spurred by the passion to discover where I arrived. In each part of the mural I captured the mental and emotional state of the time. After the experimentation phase, I explored the potential interpretations of the composition.

 

Scientific advances reveal that if we were to represent the last minute of the cosmic calendar, all things we went through - loves, wars, knowledge, etc., would occupy a tiny fraction in terms of time and space in comparison with the Cosmos.

All emotions are represented on this little box (collective consciousness), and with it, the metamorphosis. As a response to it, I rebuilt my structures as if they were poems, filled with different meanings. I perceive structures and forms in the same way I see words; these can be bent, mixed or matched as desired.

 

To me, structures and forms are uncertain connections that resonate between mind and matter, and these, in turn, form their own language. My intention as an artist is to construct my own grammar, where a vocabulary achieved over time could manage to create different nets of meaning.