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Poetic-Theoretical Multiscale 

MODEL

Book 3 

In the third book, I raised communicate the first results of the research, Morphogenesis, as “Origin of the form as Superstructure" as urgent need to inquire into the origins of the form and structure in terms of mental processes perception and creation. The aim is to use the fields of Art@ Science to offer incentives that help us to have a more critical look on things, increasing the awareness of what we are and what we do.

 

In this sense I try to explore the origin of form through a Poetic Theoretical Multiescale Model as an abstract object that enable us to understand the real objects, establish facts, explain and explore the relationships between them; a sort of guide for comparing similarities and differences between objects and experiences, (makes it comparable) which suggests a set of explanatory hypotheses that are true or false depending on the type of experience.

 

For the process of perception and creation, is divided into: (a) Theoretical basis, with 3 basic steps involved; 1) Pre-processing, "The act of filtering information in perception" 2) Process "Action to create" 3) Post-process "Action synthesis and fragmentation". (b) Base-poetic practice, the pictorial development through mind-matter unification. (c) Poetic interpretations of the Universe in the application of this model with artistic and scientific practice. (d) Artistic Proposal "Holographic Aesthetics of matter in the Cosmos Universe "

 

It is said that life is short, but art is eternal.

 

To give this proposal had the need to know the components that make real the experience of perception in our external world through the senses and the elements in the process of creation in our inner universe where the mind-matter relate to conceiving our reality and interact with it. What led me to undertake this project, what formed me, was living in Nature, Architecture study to look at the matter in space, and then study the science and try to understand what is formed in the material that we use 'art and architecture, and how we perceive it and we manifest through it in art.

I decide to start of the origin of all things, trying to understand where and how we are in this universe, trying to observe the evolution of humans since longer when he realizes that he has the gift of consciousness, and how this consciousness leads us to the roots of our perception of things and our creation thereof. Going through years of evolution to be recognized and thoughts of human beings homogenise, naming art processes universe creation from within, and science for understanding these processes of creation.

 

 

Probably, before beginning to study science I was aware only of the creation process, but did not know how and why, unconsciously knew it was something I had to do as an urgent need for art; then, through my scientific studies I began to understand what is the pre-process and post-process; the process depends on what and where it goes, basic information in order to popularize and spread my knowledge.

 

This project is a result of self-exploration and self-analysis to work science and art at the same time (design, experiment and analysis). All this work was unintentional, has been a result of metamorphosis itself. During this process, I found several interesting aspects that I like to share, between art and science, giving a proposed integration of knowledge in Theoretical Poetic Multi-scale Model.

 
 
 
 
 

Romero conceives art as a scientific means to explore reality and the human being.

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